• August 19, 2013. Main Street. Rochester, NY

  • Back in the 90s, I used to have a xerox’d print zine named Psychocandy. A bunch of labels sent me stuff, including Carbon Records. Joe from Carbon Records sent me two Muler 7 inches to review. I was under 21 at the time so I couldn’t see Muler, yet. My first Muler show was at the Bug Jar, I believe the album release show for The State of Play. I remember nervously buying a CD from a sweaty Dave. Wish I still had copies of those zines. At some point much later, I learned of Hinkley, which is Will Veeder’s band. Became a big fan and made a bunch of photos of them playing live for fun. Then, before Christmas 2010, Will and Carbon Joe asked if I wanted to help make a cover photograph for a new Muler album. Luckily, the band liked my friend Casey and she modeled for the cover on a Saturday morning at the Bug Jar.

    We saw Muler Saturday night at Bar Bad Ending. Muler plowed through a set of recent stuff, ending with the classic Slowpoke, my favorite song of theirs. Then Beth and I named a drink after a bartender, the Conley. After that, Rectangle Creep played. I only learned of Rectangle Creep because of this show. They have an impressive catalog and while you may say their albums sound much like Guided By Voices, you would be right. Singer Matthew Cutter wrote a book about Robert Pollard, which I need to read. Anyways, their catalog is vast and impressive. I played Circle of Sky a couple weeks ago on Fantastic Voyage.

    On Sunday morning, I put on my finest UFO t-shirt before heading out to the WAYO fundraiser at Radio Social where I drank a mimosa and played an hours worth of 70s and 70s inspired cosmic funk, disco, hiphop and R&B. I had to start the set queuing up the music on eyesight because of faulty headphones but once a working pair was delivered it was smooth sailing. I do have to admit, it kind of boosted the ego/confidence seeing some people vibe out to my weird music selection.

    I did buy two records, which I will probably review on the Fantastic Voyage site, which I have been neglecting sadly.

    This evening I watched The Magnificent Butcher.

    The fighting calligraphy scene early on in the movie was pretty damn cool. The Criterion channel has a few Sammo Hung movies which I will be watching.

  • June 2013. Rochester, NY.

  • July 22, 2013, Rochester, NY. Wall\Therapy.

  • Just kidding. I do not have a DJ name. Check out the annual WAYO fundraiser at Radio Social that’s also a second chance art show and record fair. I’ll be hitting the decks from 11 to noon (prime mimosa time), spinning cosmic, spacey and space inspired music. This Sunday, August 10th.

  • April 2011. Rochester, NY.

  • I haven’t been making many photos lately. I’ve become increasingly bored with the present. Very little is new, exciting, and intriguing. Bad news is everywhere. You cannot go anywhere without seeing or feeling anything fascist and/or AI related (AI is fascism). Anything “new” is just artistic regurgitation or social media conformity.

    I initially started using a camera because, subconsciously, I became and felt less lonely. I was welcomed into places I thought I didn’t belong and photographed people I thought would never want anything to do with me. As I have grown older in the past few years, that loneliness came back. Some of it is self inflicted. Some of it is reality based. Creative friendships or partnerships are now commodified, meeting metrics, like their hobbies must make some sort of social and monetary profit. I do believe the some of the last remaining true artists are musicians. Ironically enough, musicians get paid less for their work. I or any other photographer, can sell a print or a zine for over 10 times an album would sell for on bandcamp.

    The photography world is filled with uninspiring alphas, where the aesthetic and profit is the goal. There’s no way I want to be a part of that. The photography world and the language that describes it is also changing, which I have a hard time dealing with. Photography is already hard to be shown in traditional galleries. As a non-influencer, it is even harder. I know of some great local photographers who have never had a show that would equate to or compliment their talent. Most shows are just cheap ink on cheap paper, thrown together with little or no thought by either the curator and/or the artist.

    I guess what I am saying is that I am finding a hard time picking up my camera because I feel uninspired and the places in which you might find a younger me making photos no longer feel right, for various reasons. Instead I’ve been reading about philosophy/philosophers, small press fiction and playing chess almost daily, preparing for and playing music on my weekly radio show, going camping, and working on my found photography collection. I still fill notebooks of thoughts and ideas. I’ll occasionally watch some tv or take in a movie … but I’d rather be making photographs. Then I remember, everything just seems boring.

    I’m hoping in writing this I may find a solution or maybe it may help someone with the same thoughts as me.

    Or if you are a weirdo like me and want to collaborate on something creatively fun, reach out.

    In order to close this out without sounding too much of a drag, here’s some stuff that I’ve been enjoying or enjoyed lately.

    Glitter by Lauren Wanamaker. Cosmic country with modern day blues. Perfect album for pretending you are flying your hand out a car window or having it at the same volume of a crackling camp fire or while you are simply just being weighted down on your couch while not being ok with the world.

    The Stars My Destination by Alfred Bester. Published in 1956, this book has been called a “technological prophecy.” I tend to agree with this take.

    Pavements. I recently saw this movie at the Dryden Theater, with director Alex Ross Perry in attendance who also talked afterwards. Nostalgia really gets me lately and this movie hit me hard. Pavement is one of the very few bands whose whole catalog has contributed to the soundtrack of my life experiences. Perry’s collage work on this movie and his willingness to just be unpretentiously weird and see if it sticks is admirable. I never really got into the whole “most important band of all-time” trope because I do remember how horribly the band was treated by the press and concert goers. Some of that is in the movie. I could say more glowing things about the band, movie and Perry, as well as events in my life that the music of Pavement has been a part of .. maybe once the movie has been out longer.

    [NSFW] by David Scott Hay. If Georges Bataille wrote Story of the Eye while working for META.

  • Tuesday night is Skinwalker Ranch night. Reporting for duty. June 2017. Geneseo, NY.

  • Rochester, NY

  • 2017. Monroe Avenue. Rochester, NY